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Caroline
Koebel endeavours through a range of activities to
complicate commodity culture and hopefully shrug off its
chilling effects. 'Dead Dogs, Live Presidents, Interferences'
reacts to various communication and information bodies
as if together they form a mass congestion that asks to
be first observed, then reordered, and finally re-released
so that each of the initial bodies can flow simultaneously
alongside of and away from the others
Dead
Dogs, Live Presidents, Interferences (2003)
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