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Dyske Suematsu
- is a writer based in NYC. He received his undergraduate
degree from School of Visuals Arts in Fine Arts and has
created AllLookSame.com, URLDJ.com, and PainInTheEnglish.com.
His artwork "NETABSTRACTION" was shown at 2001
New York Digital Salon and 2003 Boston Cyberarts Festival
(Transcodex). This text looks at the wider knowledge we
should all be attempting to gain and use in our understandings
of new media. |
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Oliver Ressler carries
out exhibitions, site specific projects in public space
and videos on issues such as racism, the economy, genetic
engineeringand forms of resistance. His recent ongoing
exhibition project "Alternative Economics, Alternative
Societies" has been realized in Galerija Skuc in
Ljubljana and Kunstraum Lueneburg and this interview provides
valuable insight into his work. |
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Dr Nick Lambert works
at the CACHe Project, Birkbeck College, studying the origins
of British Computer Art. This is the 2nd part of the article
which we featured in the last issue looking at Computer
Art's status as an artform, its origins and some unexplored
facets of its history.
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Charlotte Frost is the
editor of Furthertxt, regularly writes for Rhizome, and
has written for Mute and Net Art Review. Current research
involves list-serves having made a selection for Low-Fi
and she will discuss thesubject at ISEA 2004. This text
is a little look at why text is so important to net art,
and a hint at what's next for Furthertxt....
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| Editors Foreword |
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Q. When is an editorial not an editorial?
A. When it isn't written by the editor!
What I really mean is, when there isn't just one editor!
The focus of Furthertxt has always been to find as many ways
of providing varied texts and textual interaction as possible
- one answer is to offer the site to guest editors, in turn
widening the styles and methods of editing, the stable of
featured writers and the opportunities to get involved. I
will still be managing the site, and editing when I can, but
I will also be planning exciting new projects that Furthertxt
will unveil over the next year, to complement its programme
of guest editors, and to help it evolve from a static magazine
to a more dynamic entity….
Read more >>
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